Creative Designs – Many Creation Thu, 29 Apr 2021 06:11:18 +0000 en-US hourly 1 Creative Designs – Many Creation 32 32 First Lady Jill Biden and Vice President Kamala Harris choose American designers Thu, 29 Apr 2021 05:59:52 +0000

AMERICAN SPIRIT: President Joseph R. Biden reminded the world on Wednesday evening that America is back by addressing the joint session of Congress at the United States Capitol on Wednesday evening.

True to her speech on America, the First Lady Jill biden and vice-president Kamala harris each chose American designers – Gabriela Hearst and Prabal Gurung respectively.

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President Biden said at one point: “After 100 days of rescue and renewal, America is ready to take off. We are working again. Dreaming again. Discover again. Rule the world again. We have shown ourselves to each other and to the world: there is no stopping in America. “

Biden also spoke about the US bailout and the US Jobs Plan plans. Biden said $ 1,400 in lifesaving checks were being sent to 85% of U.S. households and touted exceeding the goal of 100 million vaccines in 100 days with a total of 220 million. The president also urged, “Let us also adopt the minimum wage of $ 15.”

He said: “The American jobs plan will be guided by one principle: ‘Buy American’. American taxpayer money is going to be used to buy American made in America products that create jobs in the United States. The way it should be. “

Vice president Kamala harris applauded this directive and many others the president has made. Although she and House Speaker Nancy Pelosi were seated behind the Speaker, the two were often standing to applaud during her remarks.

The First Lady wore a navy blue recycled silk wool cady dress with embroidery that reflected the federal flowers of each state, territory and District of Columbia. They were created by Hearst, who is a champion of sustainability and the New York garment center. The designer, who is also Chloé’s Creative Director, dressed the First Lady on the opening night. During the presidential campaign, she also helped rally voters.

Harris wore a hand-cut double crepe pantsuit with an ivory-colored silk charmeuse camisole made by Gurung. The creator declined to comment on Wednesday evening. The set was entirely made in his workshop in New York. Gurung released the news Wednesday night with a photo of Harris to his 219,000 Twitter followers and noted “designed for moments in history.”

He said in a statement: “To see Madam Vice-President continue to break down barriers while wearing Prabal Gurung fills me with immense gratitude. Child of immigrants and first black and South Asian vice-president in history, her vision inspires me. As an American designer, I am very honored to be a part of this historic moment. As Madam Vice-President leads us to a better future, I am rekindled in my mission to advocate for stronger representation. “

Harris wore Gurung’s designs for other key appearances, including the inaugural prayer service earlier this year and the Democratic National Convention last summer. Like Hearst, Gurung was born in another country and founded his own business in the United States.

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EGGER interior match concept coordinates harmonious decor choices Tue, 27 Apr 2021 11:19:27 +0000

as limits to home the vagueness and spatial dimensions between living and working spaces are constantly changing, interior design styles need better harmony in appearance and function. EGGER, the manufacturer of wood-based materials, makes design choices and customizations easy for architects, fabricators or even the creative home stylist with a new design concept. interior match combines decors, textures and colors of furniture and interior design, from the floor to the doors and even the kitchen worktops. it accentuates the theme of mix & match to enhance individuality at home.

with all the freedom of design, the coordinated fixed points contribute to the desired visual harmony,»Says Klaus Monhoff, Head of Decoration and Design Management of the EGGER Group.

in EGGER interior match suitable products are available for all areas of application in the same decor or color matched.
featured decor: furniture H1345 ST32 gray sherman oak; gray sherman oak flooring EPL185

the EGGER The interior design concept combines the furniture and interior options of the decorative collection 2020-22 with the PRO 2021+ flooring collection. in total, a selection of 30 decors offers a complete range allowing designers to effortlessly achieve contemporary and harmonious designs.

the total of 30 decors includes many novelties from both collections. they have been selected so that they can be used in different ways. facades, worktops or entire furniture can easily be combined with the floor. whether striking or understated – there is something for every style in interior design,»Explains ayla schwarzmayr, senior specialist in decoration management.

EGGER interior match concept coordinates harmonious design choices from floor to ceiling
with the interior match, the door design is also integrated into the room.
featured decor: F638 ST16 chromix silver door and cabinet; flooring EPD046 chromix silver

there is a distinction between the same decoration solutions and color coordination. decor match ensures that floors as well as furniture and interior design products are available in the same decor choices, from surface textures to different materials. these options cover floors, doors, kitchen countertops and complete furniture sets. to bring more harmony to the interior style, the color matching The tool guides color coordination for all choices.

EGGER interior match concept coordinates harmonious design choices from floor to ceiling
color matching shows coordinated decors. The combination of floors and furniture creates harmony in the mix & match theme.
featured decor: cabinet H3326 ST28 gray beige Gladstone oak; cabinet H3326 ST28 arcani oak

decor options range from authentic reproductions to distinctive and striking vintage options. wood grain and classic installation patterns appear like the original woods in terms of aesthetics and tactility. reproductions range from natural and simple looks to rustic and recognizable themes. it can even extend to stone in contemporary styles, such as terrazzo and concrete and marble. Therefore, creatives have long lasting and sustainable products to work with, which both conserves resources and produces more from wood.

EGGER interior match concept coordinates harmonious design choices from floor to ceiling
worktop and floor covering in the same decor is easily achievable with the interior layout
featured decor: worktop H1344 ST32 sherman oak cognac brown
EPL184 sherman oak cognac brown flooring

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Franken modular platform is designed to solve logistics nightmares Tue, 27 Apr 2021 08:27:00 +0000

I know I know. What you see here looks like someone forgot to build the rest of a car, but then again, not really. The vehicle, if you can call it that at this point, is known as the Franken. It is nothing more than a modular logistics platform intended to be used to carry out a range of activities, but it does not exist. So far this idea or concept is only at the rendering stage. If it ever goes beyond that, it’s a little hard to say.

The mind behind the design is Dawn BYSJ, Creative Director based in South Korea. So far, everyone has access to a few Behance pages. Here you’ll find designs ranging from furniture to electronics and even vehicles like the Franken.

As I mentioned, the Franken envisions a modular platform to move cargo from point A to point B. To do this while accommodating a wide range of cargo, the Franken has multiple modes.

The first mode is to transport goods to the factory to help the manufacturing robots carry out their daily operations. Basically it’s just a transporter for parts and equipment. To do this, the Franken relies on autonomous technology to make things happen. The author does not mention the type of systems to be used to perform this function.

The designer mentions that the device works similarly to a self-balancing Segway. Due to this functionality, the Franken can also be used as a kind of Segway. One mode allows for the installation of a steering column with an integrated touchpad so that it can be used by a human occupant. Imagine your reaction to seeing a mall cop riding one of these. I laugh and then apply some stickers to it for a little color.

Let’s say daily tasks require handling larger cargoes. So what? Well, it looks like the designer thought about it from the start. To accommodate packages that would otherwise be larger than a single Franken, Dawn shows that two vehicles can be brought together to provide a larger platform.

Honestly, from a logistical point of view, it may make sense to employ vehicles with such capabilities. Think about it. Smaller vehicles can be engaged in normal operations and can join forces when an exception needs to be addressed.

One feature of the dual platform, as if I couldn’t see it coming, is passenger transport. With the addition of a two-part cover, the Franken can drive you independently to your destination. Whether this is to be used in an industrial or rural environment, we don’t know. Let your imagination be free; you will need to do this for this next question. How do you get in your human occupants?

As far as the drawings show, there are no visible doors or panels allowing entry. This leads me to believe that everyone gets in the vehicle, which by the way doesn’t include a seat, and someone else comes and puts the roof on top like a coffin. Oh, now I get the name. I hope it doesn’t come from that.

For one thing, I don’t think this design ever takes off. There are just too many issues with this, and better designs, like the REE, for example, actually exist. Franken will just remain a great tale for now, probably forever.

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grand prize winner distills water with sunlight Tue, 27 Apr 2021 08:07:06 +0000

after 2079 registrations from 66 countries, LEXUS DESIGN AWARD 2021 crowns its grand prize – bravo, henry glogau! Improving sunlight, the portable solar still uses low-tech community architecture to turn polluted water and seawater into drinking liquid. it helps design a better future – the founding mission of the international design competition, which is shaped by the principles of anticipating, innovating and captivating.

follow the path to success, below, with the work of the six finalists of LEXUS DESIGN AWARD 2021, invaluable mentoring program and expert judgmental advice.

2021 Grand Prix winner Henry Glogau holding the trophy designed by their 2013 winner Hideki Yoshimoto from Tangent

LEXUS is driven by a passion for design. launched in 2013, the LEXUS DESIGN AWARD calls every year for projects that shape a better future. it aims to create a better future by nurturing creative people – the next generation of young talent.

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
(left) Joe Doucet, designer and founder of Joe Doucet X Partners, and (right © atelier masomi) Mariam Kamara, principal architect at Atelier Masomi
mentors of the LEXUS DESIGN AWARD 2021

As a core principle of the platform, the six finalists chosen benefit from an invaluable personal mentoring program. varied by their background, their disciplines and their experience, the mentors of each year are among the most renowned personalities of the creative community. the 2021 award welcomed the mentors Joe doucet, designer and founder of joe doucet x partners; mariam kamara, principal architect at the masomi workshop; sabine marcelis, creator and founder of studio sabine marcelis; and sputniko!, artist and designer, associate professor at tokyo university of the design arts department. Held virtually, a workshop offered the finalists a unique and irreplaceable experience by receiving direct, inspiring and insightful feedback from the mentors. this advice continued throughout the award with continued access through one-on-one online sessions.

I want to congratulate all the finalists for their solid projects and hard work! I was very impressed with how the finalists all managed to absorb the advice of the mentors to move their projects in meaningful directions, with such rapidity. Another aspect that I liked about mentoring the finalists’ projects was the fact that all of the teams envisioned tackling extremely pressing, large-scale issues through their design, ranging from water scarcity, energy efficiency, plastic pollution and mental health issues during the pandemic. it was a pleasure to be a mentor for the LEXUS DESIGN AWARDS, and I encourage more young aspiring designers to apply in 2022,said to mentor sputniko!

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
(left © floor knaapen) sabine marcelis, designer and founder of studio sabine marcelis, and (right) sputniko !, artist and designer, associate professor at tokyo university of the arts department of design
mentors of the LEXUS DESIGN AWARD 2021

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
(left © 2016 marton perlaki) paola antonelli, senior curator at MoMA, new york, and (right) simon humphries, director of toyota & lexus global design

with advice and funds to help develop prototypes, the finalists presented their designs to an esteemed jury. each member offers a diverse set of skills as well as experiences in the creative field. for 2021, the judges included paola antonelli, senior curator at MoMA, New York; and Simon humphries, head of toyota & lexus; and will be joined by dong gong, founder and design director of vector architects; and Greg lynn, architect and CEO of piaggio fast forward.

I was very impressed with the brief, the mentors, the work of all the finalists and the grand prize winner. congratulations to the winner and also to the award process. it worked so well and provided mentorship and resources which allowed great ideas to flourish,comments Judge Greg Lynn.the winner was one of the designers who surprised me the most from the nomination to the final submission. the winner’s coherent mission persisted while the transformation of scale and social function was exemplary. the design becomes more refined, more functional and more open source in the process. the ability to produce working prototypes was important to all involved, but for the winner, she highlighted the multiple potential of the system which has become much more than just a product or device, but rather a portable and deployable infrastructure.

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
(left) dong gong, founder and design director of vector architects, and (right) greg lynn, piaggio architect and ceo, fast forward.


portable solar still by henry glogau, a New Zealand graduate from the Royal Danish Academy with a master’s degree specializing in architecture and extreme environments, has been selected as the grand prize winner of the LEXUS DESIGN AWARD 2021. the still provides clean drinking water from water polluted and sea using sunlight. the low-tech, lightweight and versatile structure can be configured in many ways and with different materials to help communities. creating a shaded gathering place, the design combines local resource production with community architecture.

it is a great honor to be selected as the winner of the 2021 Grand Prix, and i would like to thank the judges. when you look at the level and quality of the finalists and their projects and the progress that has been made throughout, each of us could have been the winner. I also want to thank the mentors – their expertise in a variety of areas has really strengthened not only our designs, but also us as designers. As finalists, we will cherish the stimulating questions and conversations we had, and we were fortunate enough to experience them. and finally, a big thank you to LEXUS. be part of a prestigious award like this with a company that is truly passionate about design for a better future and provides emerging designers with a platform and a solid foundation on which to build their design futures, c ‘It’s incredible,explains Henry Glogau.

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
portable solar still by henry glogau


cy-bo by kenji abe, graduated from the product design department of tama art university, is a new form of cytologically inspired packaging material. it transforms into different shapes as the pieces are combined. this makes it infinitely reusable, reorganizable and adaptable to the user and to all kinds of applications.

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
cy-bo by kenji abe

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
kenji abe, finalist of the LEXUS DESIGN AWARD 2021


sincere by gayle lee and jessica vea, a creative technologies graduate from Auckland University of Technology, explores what ‘being there’ might look like during a pandemic. the device reflects the heart rate of your loved one, promotes psychological support, personal connection, and seeks to help with the anxiety and emotional stress of isolation.

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
sincere by gayle lee and jessica vea

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
(left) Gayle Lee and (right) Jessica Vea, 2021 LEXUS DESIGN AWARD finalists


intempo by alina holovatiuk, an architect from Kiev, Ukraine, is an app and phone cover that helps people dealing with emotional stress, such as panic attacks and sociophobia. Designed for use in public spaces or interactions, the user can touch dots on the blanket with music to help calm down.

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
intempo by alina holovatiuk

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
alina holovatiuk, finalist of the LEXUS DESIGN AWARD 2021


knitx by irmandy wicaksono, engineer and designer in electricity and textiles, explores the limits of his creative fields. electronics, textiles and musical interfaces are intertwined in everyday fabrics. musical clothing offers interactivity, responding to tactile and proxemic gestures, and evoking the bidirectionality between dance and music.

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
knitx by irmandy wicaksono

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
irmandy wicaksono, finalist of the LEXUS DESIGN AWARD 2021


terracotta valley wind by intsui design, a design group based in Tokyo, Japan, is an evaporative cooling system that cools subway stations during the summer and reduces energy consumption. using terracotta – an inexpensive and accessible clay material – the water can evaporate quickly. the system also uses unused wind resources, thus maximizing the value of wind induced by trains.

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
terracotta valley wind by intsui design

LEXUS DESIGN AWARD 2021: Grand Prix winner distills water using sunlight
intsui design studio, finalist of the LEXUS DESIGN AWARD 2021

price information:



year: 2021

grand prize winner: Henry glogau

finalists: kenji abe, gayle lee and jessica vea, alina holovatiuk, irmandy wicaksono and intsui design

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RIT Dubai alumni transform their talents into creative design amid global pandemic Tue, 27 Apr 2021 07:53:48 +0000

Osama Mootassem describes his clothing brand, NVR FRGTTN, as trendy street clothes with a twist
Image Credit: Provided

Two Rochester Institute of Technology (RIT) Dubai graduates redeployed their university education to pursue their lifelong passion for professional fashion design, breaking away from traditional career paths linked to their business and engineering degrees.

Mechanical engineering student Osama Mootassem and business management major Chrystel Anne Clasicas graduated from RIT Dubai in 2018 and has since created her own unique fashion brands, launching their brands at the height of the global pandemic.

Osama and Chrystel Anne both believe their college experiences helped them get to where they are today. Osama says, “RIT allowed me to explore and this is part of what shaped me as an individual, extracurricular activities taught me skills such as organization, teamwork. and project management which I now use on a daily basis, and now I’m here years later with my own brand of clothing.

Chrystel Anne Clasicas

Chrystel Anne describes her brand Chrystel Anne Fashion as a zero-waste, body-positive luxury bespoke design
Image Credit: Provided

For Chrystel Anne, her business background allowed her to understand what it takes to be an entrepreneur. “It was during my entrepreneurship course, where we had to develop a business plan, that the idea of ​​launching a label was born.” After graduating, Chrystel Anne won a scholarship to the College of Fashion and Design in Dubai, where she surprised her peers with the business knowledge she brought from her business degree at RIT.

In 2020, undeterred by the onset of the pandemic, she launched her brand, Chrystel Anne Fashion, which she describes as luxury bespoke, waste-free and body-positive design. Having an immediate impact on the international scene, Chrystel Anne saw 15 of her pieces unveiled at New York Fashion Week in February and will showcase more of her designs at the next edition of the event later this year.

Osama describes his clothing brand, nvr frgttn, as trendy street clothes with a twist. He explains: “My brand is all about inclusiveness and diversity, inspired by my environment which grew up in Abu Dhabi. The short term goal is to provide anyone with a fashion that will make them feel both confident and at ease. My long term goal is to develop my brand into a platform large enough to showcase emerging talent. “

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Honda Reveals New Interior Design Philosophy, Shares 2022 Civic Cabin Sketch Tue, 27 Apr 2021 07:06:00 +0000

In the world of motor vehicles, Honda is a relatively young company, which launched its first production motorcycle in 1949 and the first passenger car 14 years later. Since then it has quickly grown into one of the most important manufacturers in the industry, revolutionizing both racing machines and road vehicles.

When we think of Honda cars, the first thing that probably comes to mind is VTEC (Electronic Variable Valve Timing and Elevation Control), a technology that fundamentally changed engine design.

However, years before VTEC was founded, the Japanese company introduced other innovative designs that transformed the auto industry. One of the most important and often overlooked keys is the Universal Key.

In the early 1970s, all cars required two keys: one for the ignition and another for the doors, trunk and gas cap. Honda changed that by introducing a unique key that could be used to open everything and start the car. In addition, it was bidirectional, which made it easier to insert, especially at night.

This revolutionary design became a source of inspiration for the entire industry which adopted it as a standard in the following years.

Another inspiring idea that ultimately resulted in many car manufacturers was the company “Maximum men / minimum machine“philosophy. This approach increased cabin space in the first compact Honda models by reducing the space required for mechanical components.

Along with the technical progress of the last decades, the interior design of our vehicles has evolved considerably. We now have countless advanced features accessible with the push or tap of a button, but in some cases their layout can be inconvenient.

To make it as easy as possible for drivers and passengers of their future vehicles, the manufacturer has unveiled a new design philosophy called “Simplicity” and “something”, inspired by the human-centered approach made famous by classic models.

In a video posted to the company’s website, Johnathan Norman, Honda’s creative head of interior design in the United States, explains that “simplicity“The concept will be the focus of the next generation of Honda interiors, while the” and Something“point of view will define the unique personality and appeal of each model.

This new design language is expected to debut on the eleventh generation Honda Civic. The first official image of its exterior was revealed recently, and in the aforementioned video we get a glimpse of what is likely the 2022 Civic’s refurbished cabin.

As we can see in the revealed sketch, every element has been thinned out to give an air of space without compromising the elegance of it all. The steering wheel feels thinner than that of the previous model, while the traditional shifter has not been replaced by the push-button transmission controls found on some other models. Additionally, an infotainment screen sits atop the dashboard, but it’s placed in a seemingly ideal position that doesn’t obstruct the driver’s field of vision. It will come with a single physical volume button, something the current model lacks.

Under the screen, the designers installed a thin honeycomb element that runs through the dashboard, replacing the conventional vents.

Overall, the interior of the future Civic is a huge improvement that perfectly reflects the new design philosophy. We look forward to more details and official images of what Honda calls the most fun to drive and technologically advanced sedan in model history.

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The best weed clothing for sale online Tue, 27 Apr 2021 07:00:00 +0000

Weed T-shirts are all the rage. It’s easy to see why. In the 2010s, cannabis saw a shift from counter-cultural rebellion to a widely accepted activity. Now everyone and their mothers smoke weed, and many websites have sprung up to take advantage of the new interest. weed shirts And accessories.

Now is the time for cannabis users to speak up and tell the world that they smoke weed. However, many websites will inexpensively print unsustainable logos on uncomfortable fabric. It’s fun to have unique, novelty shirts whether you wear them or just collect them. Cannabis t-shirts should be comfortable and of good quality.

Stoner-Merch is the one stop shop for cigarette smokers to find the perfect weed shirt to express themselves. Many cannabis shirt websites will point you to generic 4/20 slogans that are overused and tired. Stoner-merch goes through the cliché of buzzwords to bring creative, unique and gorgeous shirts that you don’t have to feel embarrassed about wearing.

Whether you want a fun weed shirt, a conceptually creative piece of art, a politically charged statement, has you covered. Show your love of weed, find something that matches your personality, and highlight your favorite aspects of the weed-smoking experience.

Popular Weed Shirts

The most popular cannabis clothes for sale at Stoner Merch are shirts. We take a look at the most popular types of cannabis t-shirts for sale below.

  • The GoKush Dragon Ball Z shirt.
  • The politically charged “no one should be in jail for weed” shirt.
  • The Rick and Morty parody shirts.
  • Impressions that will make you laugh.
  • Lots of other weed clothing for sale.

Their shirt library is diverse and is sure to contain something that resonates with you. Whether you want to bring some fun energy to a party or start a fascinating and lively conversation, you can always find the best weed clothing and accessories at

Stoner clothing for everyone

Find weed shirts for men, weed shirts for women and unisex weed shirts. even offers shirts specifically aimed at groups such as moms, farmers and couples. Self-expression is important to, so they make sure they have something for every occasion.

Weed Mask Models For Sale has other products for those who don’t like to wear t-shirts. They also sell weed hoodies with many of the same patterns, as well as face masks. Slow the spread of the pandemic and make people smile with cannabis themed masks.

Some masks are just based on the weed aesthetic, with Rastafarian designs, wet nuggets, and 4/20 designs. Other masks have comic slogans, interesting artwork, or political statements about them. A popular mask is the “My cough is from smoking weed, not from the coronavirus” mask which is sure to cause a reaction.

Premium cannabis clothing at affordable prices

Stoner clothing can be expensive. We’ve all ordered personalized cannabis t-shirts that cost a ridiculous amount of money. No one should spend too much on a simple shirt. wants to make stoner’s clothing and accessories affordable, which is why the majority of shirts cost $ 19.99. Face masks are around $ 12.49 and hoodies are $ 40. However, there are often sales on where you can find special items at reduced prices!

Stoner-merch is the premier Stoner clothing store

Think of Stoner-merch as a digital mall, packed with everything you could possibly want for marijuana fashion expression. Their clothes are comfortable, diverse, and come in a variety of sizes to suit any type. All of their weed shirts and accessories come with a 60 day money back guarantee to ensure your flexibility should you be dissatisfied.

All shirts and hoodies are available in a variety of colors. This gives you the power to personalize your shopping experience and find the right aesthetic vibe that matches your personality and preferences. Shirts and hoodies are either 100% cotton or a cotton-dominant polyester blend. This fabric allows mobility and comfort, whether you are lounging around the house or on the go. All shirts and hoodies are also available in a unisex style for a relaxed fit.

All face masks are made from 100% micro-knitted polyester. Each mask contains two layers with a copper infused antibacterial cap in the middle. This cap is of high density and guarantees your safety and that of those around you.

All weed masks, hoodies, and t-shirts are machine washable, affordable, and guaranteed to be conversation starters.

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Instructional design vs LXD: the fundamental differences Tue, 27 Apr 2021 06:41:13 +0000

Over the past few years, the eLearning industry has evolved. We have seen the development of digital tools based on learning as a LMS, introduction to mobile learning, eBooks, course simplification, entering the business sector, and much more.

Online learning has quickly become an acceptable source of informal and formal learning. As it became more learner-centered, instructional design and the design of the learning experience began to gain more and more importance.

Today, the difference between instructional design and learning experience design (LXD) is a question many are reflecting on. There are indeed fundamental differences between the methods, skills and tools of the two.

In this article, we will decipher the above-mentioned differences and their approaches in each type of design.


The design of the teaching and learning experience follows a methodical approach. They both require designers to research, analyze, design, develop, test, and implement. However, the major difference is in the way their processes are structured.

An instructional designer uses a systematic methodology. These methods are often derived from educational models and theories that work in a structured, linear, step-by-step process. In instructional design, each step acts as a basis for the next and this leads to the creation of a solid design.

It is true that an LX designer must also follow a structured process. However, an LX designer has more room to be creative. They have the space to come up with different designs and prototypes and appreciate the unpredictability of the result.

Thus, LX designers have a more experimental process than instructional designers.


While LXD has its roots in creative design, the roots of instructional design lie in the realm of learning.

Much like other creative professionals, say a graphic designer, a learning experience designer should have skills that enable them to provide a refreshing, exciting and elegant experience for learners. A graphic designer needs skills that allow him to empathize, create surprising means of communication and come up with different designs based on original ideas. This is also what is involved in LXD.

Instructional designers must develop scientific, methodical and analytical skills. Instructional designers work on developing content and curriculum to meet the needs of an academic or corporate system. They are also responsible for the effective development of eLearning courses. The pedagogical principles that these professionals use allow them to provide learners with an appropriate and clear structure.


Today there are many different tools available for instructional designers and learning experience designers.

The tools that have been introduced for instructional designers include learning management systems, PowerPoint or web services like Quizlet to name a few. When it comes to learning experience designers, there are tools that allow them to create custom designs like gaming tech, sketchbooks, custom apps, Adobe software, and more.

One of the main reasons for this difference is that the designers of instructional and learning experiences are responsible for the design of different areas of learning. Designing an experiment is very different from designing a course.

There are different design tools and methods that an experienced designer uses to meet the requirement. These can include empathy cards, experience cards, and even user characters. These are the tools that help make the learning experience more tangible.


Before concluding, it should be clear that one is definitely not better than the other. LXD and instructional design meet the different needs of different people. It would be incorrect to conclude that the instructional design and the design of the learning experience are interchangeable.

While instructional design is a more scientific skill, learning experience design is inclined to be a discipline of creative design. Instructional design can be seen as part of LXD. They are different or even completely opposite in some cases.

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Interview with Juhi Melwani – Founder of Doh Tak Keh Tue, 27 Apr 2021 06:07:16 +0000

When one hears the term “Doh Tak Keh” it can often serve as a reminder of the slang prevalent in remote areas of India. In Hindi, the phrase refers to “2-paise” – a term often used by Juhi Melwani’s mother to describe her sense of dress. As the founder and creator of this synonymous Indian streetwear brand, Juhi is changing the street style scene in India.

Doh Tak Keh is completely made in India, high standard, low pollution and experimental with patterns. The brand strikes a perfect balance between imaginative street style and exclusivity. Think avant-garde and quirky millennial prints designed to create high-end silhouettes. Before, we talked to Juhi about his label creation, creative processes, first collection, memorabilia, highlights and more.

Doh Tak Keh

ELLE: Tell us a little more about the creation of Doh Tak Keh. How did it start?

Juhi Melwani (JM): In February 2017, while visiting my hometown (Mumbai) for vacation, I had the opportunity to design a collection for a parade involving textile artisans and weavers from Kutch (Gujarat). The show’s program was to showcase handmade Indian textiles fused into contemporary fashion. It made me realize the immense skill that India has to offer and led me to leave New York fashion commercialism and directly engage in Indian art and talent. Back in Mumbai in 2017, I started a photo blog titled ‘Know Your Darjee‘, a platform that brings recognition to each individual who contributes to the creation of a garment by telling their story, their emotions and the functioning of the fashion industry.

Doh Tak Keh
Juhi Melwani, founder and designer of Doh Tak Keh

Keeping a similar concept in mind, I created my personal clothing brand, ‘Doh Tak Keh’, which aimed to spark conversations about sustainability through my work of art. I started on an artistic note and wanted to reinvent the idea of ​​avant-garde fashion in India. Eventually, I developed a ready-to-wear line and started selling through social media, a website, pop-ups, and exhibitions.

ELLE: How was your first collection? What was the inspiration behind this?

JM: ‘Sola Maala’ showcased at India Fashion Week A / W 2019 is Doh Tak Keh’s debut collection showcasing various fabricated stories, conveyed through hand-embroidered textures and artwork inspired primarily by the lives of working class communities in India. The concept of focal design was to choose ordinary components in lifestyle, uniforms, street style, homes and convert them into wearable art using traditional craftsmanship expertise and applying them with a non-traditional approach. conventional. Waste media such as plastic wrappers, bottles, wrappers and leftover production textiles have been handled in application techniques on various hand-woven 100% cotton fabrics (sourced directly from Indian artisans) . While the theme is quirky and unconfined, the colors were visually chosen from the streets of Mumbai – industrial and earthy with pops of faded cool undertones.

Doh Tak Keh
Sola Maala Collection at Indian Fashion Week A / W19

ELLE: What prompted you to design streetwear at a base like India?

JM: Indian handicrafts are mainly showcased in ethnic or bridal clothing. It is unfavorable to associate this with street fashion. At Doh Tak Keh, we aim to fill this gap in the market where we create products with high quality skill, add a touch of Indian art and achieve a “ cool ” and versatile result. There are fun facts and stories behind every piece of clothing. What is truly unique about us is the way we apply traditional Indian skills in our designs with a major twist or edge. Our textures and silhouettes are mainly inspired by the “BTS” of fashion – the skilled artisans, their homes, factories, villages and clothes. Thus, we try to convey our fashion journey through our clothes, which we keep in each collection. The upcycling and the deconstruction of the silhouettes are also our strong point. I think a saturated market like India deserves young brands that experiment with contemporary streetwear fashion while representing the country with its core values ​​and craftsmanship. This thought process is above all our greatest driving force.

Doh Tak Keh

ELLE: When designing a collection, what does your creative process generally look like?

JM: As a designer, I have always embraced the diversity of traditional Indian textiles and love to explore clusters of artisans across state borders. From the start of my textile pilgrimage, I collected inspirational memories and simultaneously created a moodboard in transit. From a Karnataka-based weaver dressed in gorgeous Banarasi silk, from the wacky interiors of a 60-year-old weaver’s house in Kanchipuram to the police or the text of a train ticket in West Bengal – I would find the beauty in every detail and translate those mental images into clothes.

I would then spend hours with my hand embroiderer (Zuberji), who thought through each design with me from scratch. I show him my inspiring travel photos, do quick graphic sketches and doodle notes as he brings his embroidery ideas to the table. Together we collect all kinds of materials – glass beads, raffia threads, textile waste and even single-use plastic products – items classified as Kachara (waste). We collect anything that catches our eye, and then drop it in a basket next to it, after which it begins to create magic. The ‘magic’ consists of hours of carefully curated techniques such as quilting, hand application, block printing, deconstruction, and fabric illustrations.

After experimenting with embroidery designs, I start to illustrate silhouettes and other graphic details from the collection. My team and I collaboratively design the collection and apply “trial and error” at every step without any creative hesitation. At Doh Tak Keh, we give our karigars the freedom to co-design and explore their expertise, which ultimately results in creations that have never been made or seen before.

ELLE: What were the difficulties and challenges you had to face in creating your own label?

JM: As a fashion entrepreneur, I tend to see myself juggling textile sourcing, initiating payments, creating sketches, creating models, generating sales, meeting clients, networking with potential retailers, accounting, invoicing, managing Instagram stories, preparing look-books and more. Sometimes it’s a tedious multitasking process. I think it’s important to realize that you can’t be good at everything and there is nothing wrong with delegating. Trying to focus on my strengths and excel in these areas has been extremely difficult.

Doh Tak Keh

Another problem with running an experimental brand in India is serving the Indian audience with comparable products. I face so many obstacles to infiltrate my aesthetic into the minds of consumers here. I really enjoy coming up with ready-made designs, but at the same time I get comments like “Oh, but can I do it?”, “I love this, but this is too much for my taste ”.

ELLE: Who is Doh Tak Keh’s ideal client?

JM: Most of my clothes are flowy and versatile. My designs mainly attract personalities who like to experiment with their style and believe in creating ethical causes through consumption. Our ideal client is someone who buys less, but of good quality, owns items that have longevity, is culturally diverse, and is a collector of handmade items. They steer clear of vanity and do not abuse high end luxury, strive for an eco-friendly lifestyle by minimizing waste and avoiding single use plastic items . They follow lasting pages and are probably regular Instagram story updates of cool things they find.

ELLE: What has been the highlight of your journey with the label so far? What are the best memories you remember from your trip?

JM: At the end of 2018, after completing my first collection, I was very confused about the launch of the brand. Of course, like any other designer, I wanted it to be larger than life. But as a starting label it’s hard to fund the same. So I applied to various platforms, programs, fashion weeks looking for a decent lead. To my surprise, I was chosen by FDCI to present at India Fashion Week A / W19, fully sponsored by them. It was a big milestone for a brand that wasn’t even on Instagram at the time. It definitely strengthened my spirit and confidence in the brand.

Doh Tak Keh

Another big episode of my trip was the lockdown period. I experienced a whirlwind of emotions when I had to stop my operations for a brief period. When things picked up in September 2020, I only had 28 days to create a collection because I had to meet an international show deadline. Thanks to the lockdown, I was ready with a blueprint and sketchbook for the collection. But the execution phase was underway. My team and I worked overnight; we leaned into junk food, wore our creative dresses and went all out on this collection. We felt like we were on the sets of a fashion reality TV show and gave our 100%. This was by far my happiest challenge of the trip.

Photographs: Courtesy of Juhi Melwani, Instagram (Doh Tak Keh)

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Q&A with Ariel Chang, creator of the board game GujuGuju Tue, 27 Apr 2021 05:35:42 +0000

These are cards with fruit printed on them. Playing them, however – that is, the hit board game GujuGuju – is a hoot. Players take turns turning over cards and guessing whether a banana, lemon, strawberry, or pear will appear. It’s a race because the first to get rid of their cards will win.

The best board games entertain, entertain and keep players active – GujuGuju ticks all these boxes. It’s deceptively simple, yet addicting, which is why this modern Asian card game is now sold in 450 Barnes & Noble stores around the world and distributed worldwide, including Japan, Australia, Australia, Australia. Canada and more.

The mastermind behind this success is Ariel Yi Chi Chang, a graduate of Central Saint Martins, one of the Forbes 30 under 30 Asia Icons.

With a degree in product design and manufacturing, Chang started her own business. Source: Ariel Chang

Following the success of Guju Guju, Chang created his own company in 2016: GeGe Design, who designs products for his parents’ company – GeGe Co. Ltd – one of the first to introduce board games to the Asian market. Last year, she published Nice to Meet You and founded GeGe Game Lab.

Originally from Taiwan, Chang’s education began in Shanghai for high school and his A Levels. She then pursued a Bachelor of Engineering in Product Design and Manufacturing at the University of Nottingham in the UK, followed by a Master of Arts in Industrial Design at Central Saint Martins.

We caught up with Chang to find out more about her upbringing in the UK and how she influenced her playing career:

Why did you choose to get your degree in industrial design at Central Saint Martins?

I was told that Central Saint Martins is a university looking for diversity, that’s what I wanted. My background revolved around math and physics while studying for my A levels, but I have always been interested in art and design.

Therefore, when applying to my university, I highlighted my strengths and weaknesses that I hoped to learn from my peers and from my institution. If Central Saint Martins was really about diversity, I doubted that a student like me (spending most of my life focusing on math) could get into art school. It was a life changing experience and I am grateful.

Do you think it would have made a difference if you had studied at a local institution?

Definitely yes. After graduating from my master’s degree, I came back to Taiwan and started my own business. One of my jobs as an entrepreneur was to sit on a jury at united. Here, I realized that design schools in Taiwan care more about the appearance of a prototype than the initial idea and process.

There is no right or wrong, but I personally prefer to focus on developing brainstorming. I prefer agile prototyping which is probably the opposite of what a local school in Taiwan would have wanted. This is what Central Saint Martins encouraged during my studies there.


Chang pictured here with her classmate at Central Saint Martins. Source: Ariel Chang

Tell us about your career path since graduation.

I first worked in a company in London, but the visa process took too long, so I came back to Taiwan and started my own business. My parents’ business is purely commercial, while mine focuses on the creative side.

Having graduated in design, it made more sense to me to start my own design business using board games as a starter resource. Since then, I have been on the Forbes 30 under 30 2020 list in Asia in the art category. I also founded another organization called GeGe Game Lab which aims to help the world with games.

How do you use the knowledge and skills acquired during your university experience in your current position?

For my business, I started out as a game designer, but no one taught me how to do it. Fortunately, I studied in an industrial design course where our strength is in research methods, so at first I just applied what I learned in college to game design. I just imagined using the same methods but designing games instead of products and it worked well.


Chang’s final year project book. Source: Ariel Chang

What were the practical learning elements of your course?

At university, we used mapping to analyze our thinking about the issues we were tackling. It was a basic practice, but when I applied it to game design it became very essential. I have been teaching cartography ever since I discovered how it applies to game design and I think it has helped a lot of my students in their work.

What skills or knowledge do you want you to learn more during college?

I can’t think of any. I learned a lot at Central Saint Martins and the experience changed my way of thinking. Skills and knowledge are things that we can acquire on our own, but culture and thinking are what this international environment can bring.


Chang deeply appreciates his time abroad at university in UK, as it has broadened his cultural perspective. Source: Ariel Chang

What advice would you give to international students who are considering enrolling in the same course as you?

It is life changing and is artistic. If you are looking for something more practical that involves real design solving realistic problems, this course may not be for you. I don’t think there is a need to solve real world problems while studying, the foundation of thought is more important and it can be applied to life later with more potential.

In 10 years, where would you like to live and what would you like to do?

In 10 years, I would like to stay in my hometown of Taiwan because my family is here. But before these 10 years, I would like to visit the MICA Game Lab for a year to teach and learn. I had the opportunity to be there as a resident designer, but the pandemic made it a challenge. If possible, I would like to return to Central Saint Martins to teach the game.

What are your three favorite things in London?

First, its diversity and its madness. I remember the streets of London during the holidays were wild because you could wear anything without being judged. As a citizen of the world (I was born in Eindhoven, grew up in Taipei and studied abroad) I kind of lost my identity, but in London it was good because everyone is a citizen of the world. Second, the museum, the galleries and exhibitions and finally the Christmas decorations.


Central Saint Martins has provided Chang with an international environment with much to learn. Source: Ariel Chang

What would you do with US $ 1 million?

I would invest in GeGe Game Lab. I have brought together many volunteers to do game design for people in need (blind, people with dementia, education in rural schools, etc.) where we do not charge them. But in order for the organization to continue to function we will need funding, so this is where US $ 1 million would come in handy.

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